Book1:TeDream-Maker

er．Shewascastinshadowsassheranthroughanareaheavilyshadedbytrees，butwhensheemergedfromthatparativedarkhesettingsuncastitsafterglowonher，illuminatingherfigurewithitsruby-likeradiance．Goingroundthecurve，sheranonwithherlonghairfloatingbehindher，feelingtheresidualwarmthofthesettingsunonherback．Sheretainedhereleganceamidstrenuousexercise，feelingtheaffeateeyesofKingDimitri，sofulloftendernessgazingatherwithhisgentlesmile．Whenshefirstcamehere，Dimitrioftenwalkedwithheraroundthegoon．Heknewsheoetess，sopoetryandliteraturebecametheirfavoritetopicsofversation．Dimitri’spointofviewisthatagreatepiimmortalanithesis．Itachievesperfewithouttheneedofinteentiontothechoiceofwordstocreateasymbolicframeofmind．Onlyinanimateobjects，suchaspsticcreations，ensivecraftsmanship．Agoodpoemorprosewritteninanaturalflowneednoefforttopursueartificialperfe．Itsiionisstitutednaturally．Themostimportantcriterionofagoodpieceofwritingiswhetherithasanearaffeoflife．

    Iingsofgreatmasters,weofteneacrosssimplebinationsofwordsthatbringoutthegrandeurofnature,beitmajestiifiountainrangesoramistyglimpseofadistanthill；thegesintheskieswhetheritisdrizzlingrain，transparentsunshineorhazyclouds；thestrategicarrasofndandrivers；perhapsanalmostindisibleflowerypathwhichleadstohithertounexploredparadise．Theyareemotionsandfervorofthewordsthemselvesandnotthedirectdescriptionoftheauthor．Therefore，thoughvague，notminutelydescribedandusedonlyasbackground,theyaresovividlypreseheintuitiveperceptionoftheauthorthattheyremainforeverinthereader’smind